Surface, memory, and material transformation
My work moves between painting, ceramics, and heritage surfaces.
Through layering and excavation, material is allowed to hold time and change.
Painting. Surfaces worked and reworked until they carry the weight of their making.
Form. Clay shaped by pressure and resistance. Forms that retain the memory of touch.
Heritage. Lime, fresco, gilding. Historic surfaces preserved, repaired, and quietly reactivated.
Portfolio
My creative vision begins with touch and return. I work with materials that register contact — paint layered and excavated, clay shaped through pressure, historic surfaces carefully reawakened. I am interested in what endures through alteration. Each piece becomes a quiet accumulation of gestures, a surface that remembers its own becoming.